Yesterday’s Curry. Today’s Bread: NHK still working its magic

UntitledNHK (roughly speaking, the BBC/PBS of Japan) is dazzling me once again with its ability to craft endearing, engrossing drama series. This time, it’s got me charmed and delighted with Yesterday’s Curry. Today’s Bread (昨夜のカレー。明日のパン), a 7-episode series which follows a young widow living with her father in law, a co-worker smitten with her, an ex-flight attendant who can no longer smile and several other characters.
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There’s a bittersweet feeling to the descriptions of and flashbacks to (especially at the end of the episodes) the past. They convey this sense that the good times—those comparatively halcyon days—are over and the present wasn’t supposed to turn out the way it is, so now what do we do? Can we just loiter in this present, which though not great, has at least become pleasant enough?

As the protagonist Tetsuko puts it in the first episode, “Everyone says to move on, but is pausing here so unacceptable? I don’t want to move forward yet.”

But over the course of the series, the characters find that in the present, there are still Continue reading

Barry Yourgrau: My Go-To Flash Fiction Author

9780385313766Almost every autumn, I facilitate a two-hour workshop for high school students that explores and encourages the writing of extremely short fiction. Through nearly a decade of iterations, this workshop has evolved, expanded to encompass Mac vs. PC commercials and Ben Loory’s “The Girl in the Storm”, while contracting to only mention rather than consider the stories of Alan Lightman and David Eagleman. But even with all the exciting new developments in short-form media (the advent of hint fiction, resurgence of interest in short films, etc.), I always have my students read and discuss work by Barry Yourgrau, a pioneer of flash fiction who excels at telling adventures in mere pages or even paragraphs and is a master at mixing the mundane with the magical. Maybe you’ve never heard of him. He seems to be often overlooked, and if it weren’t for one evening over ten years ago, I too might never have heard of him.

514ZP725MELI don’t remember how I ended up there; it was probably mentioned by my creative writing instructor. But what matters is that I did end up there, at a most delightful and extraordinary event for his book The Haunted Traveler in the MIT Media Lab building, where Barry Yourgrau embarked us upon a safari into a realm of literature I’d only glimpsed, acquainting me with a place so enchanting I have never since left. Throughout that evening, over and over, mere minutes with his words would bring me deeply into, through and, before I knew it, out of some strikingly peculiar situation, perhaps humorous, definitely relatable. A man stalking a woman with Cupid in tow, the relationship between a ghost and the music teacher he comes to love, the strife ensuing from furtively watching the dreams of sleeping lover. These stories were uniquely, marvelously enthralling, only roughly characterizable from past experiences as something and nothing like Roald Dahl meets Edward Gorey meets O. Henry. And I was hooked. There was then little choice but to become a denizen of Barry Yourgrau’s universe of mini-worlds that foray into varied topics from familial relationships and perilous travel to romantic affairs and monsters. So many of their scenes and escapades are too good not to share with avid readers and aspiring writers. Continue reading

Strangely Atmospheric: the videos of Shiho Kano

James Benning meets David Lynch?

Earlier this week, I caught a Balagan Film Series event compiling a variety of Japanese experimental films spanning several decades. Among the films shown was Shiho Kano‘s “Rocking Chair” which so intrigued me with it’s evocative sense of mono no aware that I had then look for more of Kano’s work on the Internet. Unhurriedly observational, mundane yet subtly evocative or suggestive, some of Kano’s films, like “Rocking Chair” and “Rosecolored Flower”, seem to have an understated mindfulness or even Continue reading

Open Notebook: The Cambridge Companion to Creative Writing

IMG_5141After enjoying David Morley’s fantastic Writing Challenges podcast, I decided to take a look at the book David Morley co-edited with Philip Neilsen, The Cambridge Companion to Creative Writing. Overall, this collection of articles offers some helpful perspectives (ranging from philosophical to practical) and exercises for creative writers. Here are a some lines that resonated with me.

What are you challenging yourself to do that makes it worthwhile for the reader to join you?—Kári Gíslason, “Travel Writing”

Is it not the point of art, both the production and the experience of it,
to transcend your own reality, your own autobiography?—Jewell Parker Rhodes, “Imaginative crossings: trans-global and transcultural narratives”

…to “write what you know” fosters provincialism. —Jewell Parker Rhodes, “Imaginative crossings: trans-global and transcultural narratives”

My admonition is to write what you can dream… write what you wish to discover… write what you need to about human nature. Stories, for me, have always been a wish fulfilment — an opportunity to make my life larger by stimulating my intellect, deepening my empathy, and connecting rather than distancing my self from others.—Jewell Parker Rhodes, “Imaginative crossings: trans-global and transcultural narratives”

…the writing workshop isn’t about being published… it is about being more deeply alive.—A.L. Kennedy, “Does that make sense?”

I currently believe that writing is a way of life, that it is a massively demanding discipline, that it is an almost irresistible source of enrichment, expression and change.—A.L. Kennedy, “Does that make sense?”

Writing consists of a multitude of individual decisions, massive and complex control of language in depth and considerable personal responsibility…—A.L. Kennedy, “Does that make sense?”

Continue reading

Just Watched: Men, Women and Children

When I ran across this clip from the latest Jason Reitman film, I knew I had to see Men, Women and Children. In just under a minute, this bit of dialogue nicely alludes to cultural shifts related to the roles of Internet technologies in our lives, while also capturing a sense of that uniquely adolescent mixture of genuineness, irritation and sarcasm. After seeing Men, Women and Children, I now find this clip to be a deft microcosm of the film’s themes and approach to them, so much so that the full scene could have been a satisfying short film.


At times, Men, Women and Children can feel like a sprawling collage of characters and Internet-mediated interactions, but ultimately plotlines and motifs shape up to convey a compelling (though not necessarily coherent) picture of our relationships with each other and with information technology. The Verge summed it up nicely in the subtitle of their review:

a movie that gets the internet right

Though excellent as a film with relatable characters who reveal the facets of human nature that social media and the web can engender, facilitate, problematize, Continue reading