Nausicäa at 30: as relevant as ever

Nausicaa posterHappy 30th, Nausicäa

I require all of my environmental science students to watch this film, in hopes that they’ll see it for the first time ever, or if they’ve seen this anime classic before, that they’ll reconsider its themes with new perspectives.

Nausicäa of the Valley of the Wind is an amazing film and has aged remarkably well. The world it immerses you has been so completely, enthrallingly crafted that soon, once you’ve oriented yourself in the post-apocalyptic landscape, you’ll relate to the characters and their circumstances. Then the action begins, and it’s a riveting ride to the end. And in all that—the huge, monstrous bugs, the fleets of massive warplanes, the Sea of Decay—Hayao Miyazaki shows us perspectives about what it means to be a human surrounded by and dependent upon nature, caught in the complexity of society, thrust into the struggle to shape the future. This is why I’ll be having future students in my classes watching this film as long as I’m involved in environmental education. It’s an epic masterpeice about environmental health, environmental justice, leadership, empathy and so much more.

Admittedly, Nausicäa is almost too perfect of a protagonist. Her will and values are unbelievably strong, but I think that incredulous mettle of hers is necessary. Nausicäa is the stuff of legend, of an ecological mythology that maybe we need now more than ever.

If you’re going to (re-)watch Nausicäa, I suggest going for the subtitled version.

The Hippocratic Oath of Writing and Other Perspectives from Steve Almond

From This Won't Take But a Minute, HoneyEver since Harvard Bookstore started printing it, I’d been meaning to read Steve Almond’s chapbook/mini-book This Won’t Take But a Minute, Honey, and a few years later (after acquiring a copy from Steve Almond himself for a not unreasonable price paid in cash), I finally did. It’s a very readable, compact collection of flash fiction and views on writing, with the latter severely grabbing my attention with pithy, punchy perspectives. Though often stated with an air of certainty, authority or almost sarcastic sagacity, there’s almost a challenge implicit (then finally explicit) in these perspectives/pieces of advice—a dare to one up what Steve Almond stated, and the consideration or even debate that this work may provoke can be valuable to a variety of writers and readers.

Here’s one idea I wound up with after the chapbook ran its course.

Steve Almond’s “Hippocratic Oath of Writing” (shown below) led me to consider a potential Hippocratic Oath of Teaching: Never confuse the student, in the end. I think learning involves a degree of confusion, of exposing and messing with knowledge gaps, to borrow from Made to Stick. But confusion in the service of understanding. By the end of a topic discussion, semester, college, whatever, a student should not leave confused about an essential truth their teachers/mentors/facilitators have been entrusted with guiding them to. For those of us in education, Never confuse the student, in the end, that is a stupendous charge, and while we can’t ever fully ensure that, it’s an imperative that is essential, always posing the critical question to us as we’re trying to explain something: could this be clearer?

Looks like you can still get this book from the Harvard Bookstore, but if you can get one from Steve Almond himself, that will make for a much more memorable experience.

http://www.harvard.com/book/this_wont_take_but_a_minute_honey1

What you want to have eaten vs. what you want to eat: Peter Bregman’s Buffet Problem

Dan Heath’s interview with Peter Bregman nicely describes the disconnect between what we want to have done (made progress on our creative projects, spent quality time with family, jogged a few miles for exercise, etc.) and what we want to do (check our email, veg out with TV, etc.). Much like a lunch buffet presenting us with a variety of food options, life constantly confronts us with different kinds of activities we could do. This analogy provides some helpful perspective on the competition between long-term interests (stay healthy with fiber and nutrients from vegetables) and short-term desires (gratify our palates with cheese-covered Tater Tots).

From there, the conversation heads into deeper examination of this disconnect and simple, effective strategies to remedy it, interweaving ideas from Switch and Decisive. If you’re familiar with those excellent books on behavioral change and decision making, I think you’ll appreciate the helpful context they add to the discussion—the amazingly effective Rider, Elephant, Path metaphor for behavior is once again incredibly useful. Overall, it’s a great 30 minutes of dissecting the problems and considering solutions.

If you’re looking a way to stay focused on achieving large, important goals and minimizing time lost to less pressing activities (avoiding the perils of what Todd Henry calls “fake work”), give this interview a listen!

decisive ball

Sandwiches, Soup and Satomi Kobayashi: パンとスープとネコ日和

Just slightly more eventful than Kana Matsumoto’s earlier work Mother Water and with more of a plot trajectory, brightness and slightly faster pacing than her last feature film Tokyo Oasis, パンとスープとネコ日和 (Bread and Soup and Cat Weather) is an immersive, relaxing, short Japanese drama series that’s quietly beautiful and delightful. With characters drawn from the casts of めがねプールかもめ食堂 (Glasses, Pool, Seagull Diner)、Mother Water and Tokyo Oasis (like Ryo Kase), along with settings and relationships similar to those films, there’s a familiar, airy atmospheric quality to this 4-episode j-drama.

episode 4 title scene

I love how the series brings you into the kinds of cozy places you’ll find in Japan—cafés with simple yet stylistic decor and good, unique food, little side streets of shops and restaurants. It’s also great how there’s time for relationships to be revealed and developed in ways that couldn’t in the movies mentioned above. And the sandwiches and soups look delicious, reminding me of some of the menu items at the Hi-Rise Bread Company in Cambridge, MA and at Soup Stock Tokyo.

If you’re interested in watching the series, the DVD set will be released in just a couple days on January 15th and can be purchased via CD Japan or Amazon Japan.

There are only a few clips from this series on YouTube. Here’s a fun one from the ending of the series (no spoilers) featuring all the characters めがね メルシー体操-style. This part is much quirkier than the rest of the film which is highly quotidian and may border on understated for some viewers—I prefer to think of the film’s ambiance as unhurried, leisurely and thoughtful.

Sandwiches at Bon Me!

Chicken sandwich from Bon MeJust don’t think of them as banh mi—think of them as banh mi inspired, a sandwich with Vietnamese roots that’s a fresh fast food wonder in its own utterly delectable way. It doesn’t matter that they aren’t authentic—they’re amazing. Every one of them I’ve had has been absolutely satisfying with crispy bread, crunchy daikon and carrots, fresh cilantro and of course savory fillings of flavorfully seasoned meat or tofu. And don’t call it fusion either; as far as I can tell, the sandwich is not fused with anything except insanely good flavor and mouthfeel.

Whenever I’m near Harvard Yard or in Kendall Square, I have to get one of these from the Bon Me truck or restaurant. Prepared fresh in mere minutes, these sandwiches always delight me at first bite and thoroughly satiate me with the last. The one I was holding in this picture—the Szechuan peppercorn chicken sandwich—it was so good that although I only meant to take a bite, then be on my way, I could not stop myself from devouring it in minutes while standing in the middle of the Harvard campus as snow fell, not noticing how cold my hands were until I had consumed 3/4ths of the awesomeness.

If you want something true(r) to the original, there are plenty of places around Boston where you can get one (Pho Viet’s is my fave), but if you’re looking for a tasty, well textured sandwich/meal/substantial snack, give the Bon Me sandwich a try.

Bon Me truck in Harvard Yard

Pachamama Coffee: a cozy cafe in Davis, CA

With warm, simple, snug atmosphere of window-facing wooden counters, friendly staff and delicious responsibly sourced coffee, Pachamama Coffee Cooperative Davis is a great place to relax with a mug of coffee.

Pachamama in the afternoon

If you like the offerings of Stumptown or Terroir, Pachamama‘s pour-over coffees are a real treat of fabulous flavors, with tasting notes nicely described for each of their menu items. And if you’d like to brew some at home, a bag of beans can be easily purchased. The only detractor I’ve found is that if you’re sitting at the counter facing First Street, it can be uncomfortably hot and bright in the afternoons when the sun is shining through the otherwise gorgeous, large front window.

If you’re in Davis, California and love freshly brewed coffee, I hope you get a chance to enjoy this cafe!

Simon Sinek and the Story of Leadership

This 99u session by Simon Sinek is just phenomenal. Compelling examples, excellent humor and fascinating neurobiology come together to describe who we are and how we become leaders.

Earlier this week, in hopes of connecting the nano to the macro, I showed this to some undergraduate biochemistry students who were learning about neurotransmitter structure and function. They were enthralled, and I likely got a jolt of serotonin and maybe even some oxytocin too.

Love you, 99u!!

The Patterns Trilogy: David Lynch Meets Wes Anderson Meets J. Crew?

The recent Saturday Night Live parody trailer of a Moonlight Kindgom/Royal Tenenbaums-esque horror film (below) reminds me that Wes Anderson’s distinctive visual aesthetic and unique storytelling sensibility has become so renowned—and rightly so as this auteur’s films are marvelously artistic and charmingly delightful.

It also reminds me of Jamie Travis’ The Patterns Trilogy which has its own striking and engrossing stylistic idiosyncrasies that are reminiscent of the works of Wes Anderson, David Lynch and Edward Gorey, yet create for me a novel, visually and narratively enthralling, genre-defying cinematic experience. With each installment, The Patterns Trilogy is gradually ever more perplexing and unnervingly humorous, while tinged with odd disquietude and subtly sinisterness. I still love it even two years after first coming across it.

The Patterns Trilogy trailers themselves are mini-masterpieces.