Frustrating But Good: The Spectacular Now

Delightful and difficult to watch, The Spectacular Now is engrossingly charming and believable. Particularly for me, it was frustrating to see the well-meaning, relatable characters do things that hurt themselves and those they care about, frustrating to see Aimee’s insecurity, frustrating to see Sutter a victim of his own live-in-the-moment philosophy. But that’s what ultimately made the story as poignant as it was, portraying in an affecting way the ordinary but meaningful foibles of youth. Though perhaps at times dramatic, The Spectacular Now doesn’t have any overblown drama, yet we can see that there’s a particular magnitude to what’s happening, what’s slowly building up. Because like the characters who can see in each other what they cannot see in themselves, we as the audience have distance—from their situation and, at least in my case, from youth—we can see the slow disaster unfolding, can see that it doesn’t take a sudden catastrophe to derail lives. Or maybe not. At times the film does such a great job of pulling us into their world and their perspectives, and we, like the characters do, let things happen.

Love the ending.

I have to agree with much of the Fresh Air film review, which starts by characterizing The Spectacular Now as “goofy, exhilarating and unreasonably sad, like being a teenager.” What David Edelstein says about the actors and their characters is often spot on.

Again, a film that isn’t done justice by its trailer, but here it is in case you’re curious…

Just Watched: In A World

After hearing such captivating interviews with Lake Bell on NPR, how could I not be eager to partake of her film In A World? With solely Lake Bell’s on-radio descriptions of the film vigorously stoking my expectations, I excitedly immersed myself in all the familial drama, occupational antics and romantic (and vocal) misadventures of Carol’s (Lake Bell’s character) life.

Although not as auditorily delectable as I had hoped (there’s a good dose of sensual, smooth voices but interspersed with much normalcy), Lake Bell’s In A World had some well worthwhile hilarity. The plot and characters had enough zaniness to keep my attention locked on the film, riding their parallel voiceover-centric universe roller coaster with them. If you need something quirky and fun, check out In A World; I think it’s substantially better than its trailer makes it out to be.

“You’re alive. Act like it.”

I’m not sure who said that (either Elevated! or Da Poetry Lounge),  but now perhaps what matters is that it was said, boldly as a thunderous command closing an emotionally and linguistically turbulent meditation on the modern human condition. That blazingly delivered poem charged us to again be human.

At the packed, sold-out National Poetry Slam 2013 finals, I was utterly astounded by the powerful voices slam poets gave history, social issues, personal emotions and so much more. The phrases resonating in the air thick with the energy of fandom (for these poets specifically and for poetry generally), those words wove stories that were everything from heartbreaking to uplifting. A boisterous bro duo gleefully shattered the illusion that first-time lovemaking is smooth and sweet; Mr. Freeze, the Penguin, the Riddler, etc. read their letters to Batman recounting tragic life stories, ultimately instructing him to fix the city that created them; a chorus of positivity encouraged us to celebrate how amazing life is, how remarkable it is, among other things, that our lungs and hearts often work tirelessly, unnoticeably; a substitute teacher’s mind races as he ponders over what he will tell a 4th grade girl who declares her aspirations of becoming the best tetherball player in the world, a world where not all dreams can come true, still pervaded by gender discrimination; a slam duet spun dizzying parallel stories of young siblings separately struggling with what society tells them their bodies should be and do… And far more. Sitting there, transfixed by the transformation of voice and bodily motion into sheer passion, provocation, catharsis and communion,  I could barely believe words could do all this and beyond.

Although the details of diction, rhythm, gesture and tone were crystal sharp as they were unfolding during this most astonishing of artistic evenings, that extreme clarity is ebbing, but among whatever is left as time blurs memory will be the unshakable truth that words spoken bellowed, sung, guffawed and cried on stage connected us, pulled those of us in the audience into feelings and experiences perhaps not our own but unmistakably belonging to all of humanity, dared us to look at our past, present and selves, pushed us to move resolutely and justly into the future.

If there’s a slam poetry venue near you, check it out if you haven’t already.

Here’s the short film Slip of the Tongue, one of the pieces that brought me into the world of spoken word and slam poetry.

So Awesome: “In a World” stars on Fresh Air

Listening to this Fresh Air interview with Lake Bell and Fred Melamed was just too much fun. As they discuss various facets of their film In a World and the topics voice and voiceovers it romps about, the unexpected humor and though-provoking opinions enthralled me. If this 47-minute chunk of radio show is too time-intensive for you, check out the All Things Considered interview with Lake Bell. I can’t wait to see her film.

BTW, hearing about Lake Bell’s film reminded me instantly of the trailer below for the film Comedian.

If you’re in Okayama City…

inside Korakuen

Drop by Cifa Cafe. This cafe + art gallery + design studio has delicious snacks, interesting artwork and friendly staff. Located close to the Okayama Prefectural Art Museum and just a short walk from the splendid Koraku-en garden (where the picture above was taken) and Okayama Castle, this cafe is a great place to hang out after checking out art exhibitions or strolling through a landscape of meticulously practiced Japanese horticulture.  Continue reading

“…and suddenly she realized why the rising waters where the least of their concerns.”

rising waterWhile checking out the attractive ceramics and fun artwork at The Blue Gallery in Provincetown during a recent trip to Cape Cod, I found the work of Jessica C. White of Heroes and Criminal Press lurking on a case of paper-based goods by the cash register. I was especially delightfully enthralled by the beautiful and quirky letterpress prints of the Heavens to Betsy series which combine striking images with punchy captions (bears on beach balls who will presumably report back to a girl in a red dress? awesome!). The pieces are quite original and unique but evoke in my mind the works of Edward Gorey, Barry Yourgrau, Knock Knock (particularly the Slang Flashcards) and even in some tangential way Adrian Tomine. I wish I could have purchased a few of the letterpress prints, but they loomed beyond my financial grasp, and I went with the digital print of Rising Waters, shown above.

The Giddy, Awesome, Exquisite Dorkiness of Ménage à Twang

currently listening to

After listening to the Weekend Edition piece “Emily Moore On How She Became A Poet”, I was intrigued by Emily’s description of her band‘s music. Several iTunes samples and a couple purchases later, I was grinning and chuckling adolescently, like the whole of my adolescent heritage had been validated with tasteful humor.

My faves:

  • Graduate School
  • Secret Conservative Side
  • Listen Sister, Don’t Date a Hipster
  • I’ll Only Support Your Art for So Long
  • Ldr

Totally Smitten: Paige Turner, you are artistically adorable

paige turner, licenseWhile in the Harvard Bookstore last week, I spotted Page by Paige and after a couple minutes of browsing knew this was one graphic novel I had to curl up with in bed or in a lounge chair.

The graphic novel takes the form of entries in Paige’s sketchbook which contain almost magical depictions of her thoughts and feelings interspersed with a more traditional narrative structure of sequential panels that follow Paige on her own (in a museum, on the metro) and with her new band of Brooklyn friends (going to open mics, putting smiley face on tulips). The honesty of Paige’s uncertainty is rendered strikingly and poetically by the unique style of this graphic novel.

So far, this is the best graphic novel I’ve read this year!