Just Read: Every Day

Every Day, last page

Yesterday, I finished David Levithan’s Every Day, a shiver running through me when I realized I’d finished reading the last sentence. Wow. This is the exactly kind of book that reaffirms to me the power and importance of literature, raising questions like, “What is a person?” and “What constitutes someone’s identity?”

As the narrator (don’t worry, you find this out in the first chapter or two)  inhabits the life of different person each day (as if through some kind of mind/psyche transference), we get to know this main character as she/he/it gets to know the people whose circumstances she/he/it is suddenly very deeply in, along with one particular, special person. The descriptions and plot are engrossing, feeling remarkably real and relatable, if you can suspend disbelief and the book’s basic premise which I readily could—the writing was that good.

If you’re looking for a new work of fiction, give this a shot. At least read a few pages if you see it in a library of bookstore. You might become just as quickly caught up in it as I was.

Still loving 88 MPH by Le Matos

I first saw this video at the Museum of Fine Arts on New Year’s Eve 2011, in a showcase of highly acclaimed short films; for me, it easily blew everything else away, to the point where I barely remember the other films (not even sure how most of them made it into that evening’s screening). Ever since, I’ve been listening to the song and watching the video sporadically, especially when I need a little extra something in my day. Fantastic footwork with nostalgic references to the 80’s. Love the blue loafers, especially at 3:29.

Splash! 2012 Classes—MIT Gangnam Style Strikes Again!

The magic of Splash! 2012 has come and gone with a little lingering on. The two classes I taught this year, An Introduction to Conceptual Metaphor Theory and An Introduction to Very Short Fiction, went well. The students were of high caliber: very engaged, astute, curious and respectful—impressive! Here’s a couple pieces I wrote during the writing exercises in  An Introduction to Very Short Fiction (btw, here are slides for that class):

  1. In between us there are mellifluous lies, bringing us together and pushing us apart, unsteadily surprising us as some explode in our faces when fragments of truth come along. You in your ruinous foggy sweater this wintry morning would have it no other way, for the bonds of fiction and fallacy offer so much possibility when it’s cold.
  2. He wallowed in Trisha’s couch, resolutely. Until she got home. Then they played chess for hours, to prepare for tomorrow.

Can’t wait until Spark! 2013.

Oh yes—I sat in on the Splash! Cognitive Neuroscience class, which opened with MIT Gangnam Style!

Currently Reading: Sorry Please Thanks You

When I read How to Live Safely in a Science Fictional Universe (HTLSiaSFU) about two years ago, after finding a proof for sale at Portland, OR’s Powell’s City of Books, I was utterly stunned. The unlikely amalgamation of pseudo-scientific and magical realism ideas Charles Yu explored in that multi-layered novel were intoxicating to my cognitive-science-and-linguistics-obsessed mind, musings on the nature of fiction deftly worked together in a loftily intelligent literary achievement.

While you can tell when reading Sorry Please Thanks You that its stories come from the same uniquely nerdy and heartrending approach to literature, especially in “Standard Loneliness Package” and “Open”, overall this collection doesn’t pack the kind of intellectual and emotional punches HTLSiaSFU did. Charles Yu again explores compelling, nerdy ideas in fresh ways, and while the worlds of these stories are unlike most you’ll find in today’s fiction, they often didn’t resonate with me as cerebrally as I hoped they would.

The j-drama I couldn’t handle: 高校教師

After hearing the plot basics of the 1993 j-drama 高校教師 (High School Teacher), I really wanted to watch it. For mainly two reasons: to see (a) how this teacher-student romance (a j-drama/anime archetype right up there with step-siblings getting together) would be treated and (b) 90s Japan (which I have some peculiarly idealistic nostalgia for despite never having been in Japan in the 90s). To my wondrous delight, I found the series available via d-addicts. After a night of torrenting, I had the DVD-ripped episodes ready for bouts of procrastination of the emotional-rollercoaster variety. But it was a ride I didn’t have the stomach for. Continue reading

Still love you, Tech: MIT Gangnam Style!

Wow, I am yet again so impressed by the fine folks at my alma mater, always pushing the envelope! So much energy, creative enthusiasm and sheer zaniness on that campus, spilling out into other parts of Cambridge and more broadly the world. Although practically everyone has seen this k-pop parody, just wanted to add it into the collection of things that have enthralled me recently. Compels me to wear my brass rat more often, among other things…


Absolutely delighted to see Eric Lander and Noam Chomsky appear in this video!

Old cravings flare anew

Every time I think I’ve kicked (outgrown?) the j-drama addiction, I get hooked on some new series. Over the summer, that series was 私が恋愛できない理由 (roughly: The Reason I Can’t Romance). What really pulled me into the series were scenes of the two characters here, Saki and Takumi—the emotions that resonate between them during those moments. While the drama has other characters (almost overnumerously so) who are melodramatically interconnected (e.g. Takumi’s wife—yes, wife, no, that doesn’t give anything away), I rapidly became engrossed in the unfolding of interactions between Saki and Takumi, pretty much watching the drama just to see what would happen with them hoping they would continue to share something special together.

There’s something spectacular about the scene above, a turning point when rapidly everything changes between these two people who have a fundamentally deep need for each other, yet with all they’re entangled in, have significant challenges in forging the sort of connection each wants to have.

I can’t say I recommend the series, but if you like the notion of people who are capable of transforming one another even if only momentarily yet possibly profoundly while meeting in the midst of tough circumstances, you might find Saki and Takumi as compelling as I did.